0psys wrote:Your advice screams of someone who is trying to show how much he knows about cameras.
lol0psys wrote:I've shot ad campaigns for some of the biggest clients on the planet...
0psys wrote:Your advice screams of someone who is trying to show how much he knows about cameras.
lol0psys wrote:I've shot ad campaigns for some of the biggest clients on the planet...
Where does that say anything about how much I know about cameras?GONNAFISTYA wrote:0psys wrote:Your advice screams of someone who is trying to show how much he knows about cameras.lol0psys wrote:I've shot ad campaigns for some of the biggest clients on the planet...
When did you last crop anything to 100% without kicking yourself for not just framing the shot right in the first place? Unless you're shooting billboards?TruthfulLiar wrote:You're an interesting person.
Just my opinions. You're welcome to provide yours.
I think quality is good. You know, for images and stuff.
AA filter, true - but there is a difference when you go to 100% crop regardless, which is my concern and why I recommended what I recommended.
Not sure why you so mad but it is my experience with Canon 24-70L that was not as positive as with other better manufactured lenses. And why would I spend $2,000 on a lens that doesn't impress me? I much prefer to go with a used Schneider 50mm 2.8 for $164.00.
Like I said, my opinions.
Peace be with you.
Honestly, if this was a discussion about something in the games industry, and you reacted to some shitty advice relevant to your field with a "I've worked on some of the most advanced games in the industry" comment, I wouldn't accuse you of bragging, because I know it to be true. If you said it while you were arguing with someone and it wasn't about gaming, that'd be a different story.GONNAFISTYA wrote:It doesn't matter what you know or don't know. The guy simply tried to give advice and you accused him of essentially bragging right after you did a bit of bragging yourself.
I don't care if his advice was good or not...I simply found your reaction funny.
60D is a decent camera, and the Tamron 17-55 a decent lens. However, I'd always say stick with Canon. The Tamrons are quite notorious for having bad examples. I know of people who've had to send one or two back or actually test multiple instances in the shop to find a decent example of the lens.obsidian wrote:Ahem.... I don't mean to interrupt the flame war going on here, but I'm still waiting for some recommendations from people here.... you know... to make a difficult buying decision actually easier... instead of just more confusing. K'thx'bye.
Currently considering a T3i with a Tamron 17-55mm XR Di II VC F/2.8. I can snag the T3i for $599 ($150 off retail) and the Tamron for $498 ($200 off retail). Seems like a pretty good deal for something to start with unless someone else has a better idea. From what I gather, if I ever upgrade to a full frame (5D) the Tamron is still a decent enough lens to match.
This!0psys wrote: The thing about modern cameras is that they all produce roughly the same image quality. The difference between Nikon and Canon bodies is noticeable only by hardened nerds squinting at pixels.
Dude I've worked on high and low-tech games so I'd never bring the "most advanced games" argument forward. I have no intention of getting into a back and forth on this retarded string of thought, I simply thought your post was over the top.0psys wrote:Honestly, if this was a discussion about something in the games industry, and you reacted to some shitty advice relevant to your field with a "I've worked on some of the most advanced games in the industry" comment, I wouldn't accuse you of bragging, because I know it to be true. If you said it while you were arguing with someone and it wasn't about gaming, that'd be a different story.
I don't know. I wasn't aware that obsidian was asking credentials before he'd accept advice. You're probably 100% correct in critizing PoofullCrier's advice, but I don't think anyone needs a CV to believe you.0psys wrote:How else can I speak with authority on a subject unless I lay out my credentials?
Ah, OK, the US names are different; I see.obsidian wrote:BTW, 60D is different than T3i. T3i is what EuroCanon calls the 600D. T4i is the 650D. Thought I should clarify since non-North Americans might be confused with our funny naming system.
So I can get a T3i/600D for $600 (sale) body only. T4i/650D body is going for about $825. 60D body is quite a bit more at about $960.
By comparison, a T4i/650D with a 18-55mm f/3.5-5.6 IS II lens kit goes for $950. My thinking is that for about the same price, I can get a slightly older body (T3i/600D) with a better Tamron 17-50mm and f/2.8. Fast F/2.8 aperture over its entire focal-length range seems like an advantage for depth of field and darker lighting environments. Someone check my logic, since I'm a noob and might be way off here.
Can't argue with that; fair enough.GONNAFISTYA wrote:Dude I've worked on high and low-tech games so I'd never bring the "most advanced games" argument forward. I have no intention of getting into a back and forth on this retarded string of thought, I simply thought your post was over the top.0psys wrote:Honestly, if this was a discussion about something in the games industry, and you reacted to some shitty advice relevant to your field with a "I've worked on some of the most advanced games in the industry" comment, I wouldn't accuse you of bragging, because I know it to be true. If you said it while you were arguing with someone and it wasn't about gaming, that'd be a different story.
I don't know. I wasn't aware that obsidian was asking credentials before he'd accept advice. You're probably 100% correct in critizing PoofullCrier's advice, but I don't think anyone needs a CV to believe you.0psys wrote:How else can I speak with authority on a subject unless I lay out my credentials?
I've kicked myself a lot for not doing a shot right in the past. I get the point you are illustrating.0psys wrote:When did you last crop anything to 100% without kicking yourself for not just framing the shot right in the first place? Unless you're shooting billboards?
I'm not mad, this is the internet; the issue is that the guy has money to spend and you're giving him obscure and slightly weird advice based on personal foibles.
Something that always raises my suspicions is a person who apparently just can't accept the 'low quality' of a Canon or Nikon lens, but, for some reason, isn't shooting MF.
Honestly, if you're concerned with ultimate sharpness at 50mm, then the Canon 50mm 1.8 is crazy-sharp, and it only costs $100. Still has the same dogshit 5 blade aperture that the Schneider has, but at least it doesn't need an adapter.
Totally agree about the Nikon and Canon comparison.0psys wrote:The thing about modern cameras is that they all produce roughly the same image quality. The difference between Nikon and Canon bodies is noticeable only by hardened nerds squinting at pixels.obsidian wrote:Ahem.... I don't mean to interrupt the flame war going on here, but I'm still waiting for some recommendations from people here.... you know... to make a difficult buying decision actually easier... instead of just more confusing. K'thx'bye.
Currently considering a T3i with a Tamron 17-55mm XR Di II VC F/2.8. I can snag the T3i for $599 ($150 off retail) and the Tamron for $498 ($200 off retail). Seems like a pretty good deal for something to start with unless someone else has a better idea. From what I gather, if I ever upgrade to a full frame (5D) the Tamron is still a decent enough lens to match.
If you've held a 60D and it feels nice, and you like the reviews of the Tamron, then go and grab it.
I don't think I gave bad advice.GONNAFISTYA wrote:It doesn't matter what you know or don't know. The guy simply tried to give advice and you accused him of essentially bragging right after you did a bit of bragging yourself.
I don't care if his advice was good or not...I simply found your reaction funny.
shaft wrote:get a sony
Sony NEX cameraxer0s wrote:The fuck are you going on about?